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BEN DAY DOTS PART 6: LETTERPRESS PRINTING, 1890s: THE SUNDAY COMICS
How the original Ben Day dots got into the original American comics See also: Part 1—Roy Lichtenstein etc. Part 2—Halftone dots, Polke dots, More Roy Part 3—Four-colour comic book dots / CMYK & RGB dots on screens Part 4—Pre-history, Origins & Ben … Continue reading →
Posted in Ben Day, Comics, History of Comics, History of Printing, Newspaper comic strips, Roy Lichtenstein
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Tagged Ben Day, Ben Day dots, Benday Dots, bichromatized albumen, Bringing Up Father, Charles Gillot, Charles Knight, CMYK, color separation, colour separation, Elisha Kirkall, Ella Cinders, Firmin Gillot, George Baxter, George Leighton, George McManus, George Newnes, H. H. Kohlsaat, halftone, Happy Hooligan, Hippolyte Marinoni, Hogan's Alley, Joseph Kronheim, Judge magazine, Katzenjammer Kids, letterpress, Little Nemo in Slumberland, metalcut, photoengraving, process line block, Puck, Richard F. Outcault, Roy Lichtenstein, Samuel Hodson, St Bride Foundation, Stephen Sly, Tarzan, The Graphic, The Guardian, The Illustrated London News, W.H. Lizars, William Blake, William Dickes, Winsor McCay, Yellow Kid
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