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BEN DAY DOTS Part 8: 1930s to 1950s—the Golden Age of Comics
EXIT BEN DAY, ENTER CRAFTINT See also: Part 1—Roy Lichtenstein—the man who didn’t paint Ben Day dots Part 2—Halftone dots, Polke dots, more Roy Part 3—CMYK / Four-colour comic book dots vs. RGB dots on screens Part 4—Pre-history, origins—Ben Day … Continue reading
Posted in Ben Day, Comic-book art, Comics, History of Comics, History of Printing, Newspaper comic strips
Tagged 1963, 64 colours, Alan Moore, Anthony Tollin, Ben Day dots, Benday Dots, Bernie Krigstein, Chicago Inter Ocean, CMYK, Colin Panetta, color separation, comic book aesthetic, comic books, Craftint, Craftint Multicolor, Dave Gibbons, Doubletone, Duo-Shade, EC comics, Famous Funnies, Floyd Gottfredson, Golden Age of Comics, Grafix, Grafix board, H G Peter, Hal Foster, halftone, How Comic Strips Are Made, Jack Adler, Jack Kirby, Joe Shuster, John Romita Sr, Kirby: King of Comics, Marie Severin, Mark Evanier, Marvin Kilroy, Mystery Incorporated, Noel Sickles, Prince Valiant, relief aquatint, Rick Veitch, Roy Crane, Russ Winterbotham, Scorchy Smith, screen angles, Singletone, Sol Harrison, Steve Bissette, Sunday newspaper comic strips, Sunday newspaper comics, superhero, superheroes, Superman, Titan Books, Uni-Shade, Wonder Woman
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LEGION of ANDY 