Tag Archives: Ally Sloper’s Half Holiday
BEN DAY DOTS, PART 4: PRE-HISTORY & ORIGINS
See also: Part 1: Roy Lichtenstein, The Man Who Didn’t paint Ben Day Dots Part 2: Halftone Dots and Polke Dots Part 3: RGB dots on your screen, CMYK dots in your old comic books Part 5: The Forgotten History … Continue reading
Posted in Ben Day, Comic-book art, Comics, History of Printing, Illustration, lithograph, lithography, Newspaper comic strips, Pop Art, Roy Lichtenstein
Tagged A Tramp Abroad, Albrecht Dürer, Alice in Wonderland, Ally Sloper's Half Holiday, Ben Day, Ben Day dots, Benday, Benday Dots, Benjamin Henry Day Junior, bichromate, Bryan Talbot, chapbooks, Charles Gillot, chromolithography, chromoxylography, CMYK, collodion, Comic Cuts, Copper engraving, Craftint, Daguerreotype, Dalziel Brothers, Dragon’s Blood, electrotype, electrotyping, F.A. Brockhaus´ Konversations-Lexikon, Fortunatus, Frank Leslie's Illustrated Newspaper, Girls' Romances, Gustave Dore, Harper's Weekly, Henry Blackburn, Howard the Duck, intaglio, Jack the Giant Killer, Johannes Gutenberg, John Ruskin, Judy, Kaolotype, Le Charivari, Letratone, letterpress, line art, lithograph, lithography, Luther Arkwright, manga, Mark Twain, Marvel Comics, Niépce, Phil Normand, photo-engraving, planographic, print technology, printing technique, process, Punch, Robert Walpole, Roy Lichtenstein, Sir John Tenniel, stippling, Tarzan and the Ben Day Men, technology of printing, The Art of Illustration, The Illustrated London News, The Penrose Annual, The Process Year Book, The Process-Pictogram, The Sketch, Thor, Vanity Fair, wood engraving, Woodcuts, Zip-a-Tone
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LEGION of ANDY 